Shriya Saran continues her tryst to become the docile housewife, but off and on her diction and body language blurt out that she is putting up an act. ![]() ![]() Bachchan, and Devgn should also guard against it, particularly in films where there is no blaring background sound to balance it out. The only concern is after a certain age, stars begin to sound like their mimics in scenes where an emerging filmmaker (who perhaps is in awe of the actor) asks them to raise the emotional pitch. No comparison with Mohanlal, but Ajay Devgn is dependable as usual in a role that expects him to tone down his star power. It is his performance, one laced with some sharp one-liners (dialogues by Aamil Keeyan Khan), that keeps us awake during the middle overs. Few actors could convey a sense of desperation and authority in one frame as Akshaye does. Nothing really happens in this stretch, except for Akshaye Khanna chewing the scenery in his inimitable style. However, there is a long stretch between what happened - which made the makers reopen Vijay’s file and summon us to the theatres - and how it happened. ![]() ‘Drishyam 2’ movie review: A decent follow-up to a much celebrated film
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